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Chapter 6 - The Girl in the Old Photograph

Annie arrived in the early hours of Thursday morning, small and outraged, with a determined cry that sounded to Grace like the best music ever written.

A neonatal team took the baby for additional care because she had been born early. Grace saw a tiny cheek, one waving hand, and the pink of a knitted cap before the team moved to the adjoining area. Dr. Mehta explained what they were monitoring and when Grace could visit. There were no promises, only attentive people and a plan.

"She's beautiful," Helen said, her voice cracking.

"She's loud," Grace whispered.

"That runs in your mother's family."

When the room quieted, Grace asked for a photograph of Annie to keep near the bed. Janie took one with permission, framing the baby's little clenched fist against the pink cap. Grace sent it only to Helen and Ruth. For once she wanted a piece of family news that Vivian could not package for the evening broadcast. Ruth answered within a minute: TELL THAT LITTLE LADY I'M WORKING ON HER FIRST LIBRARY CARD.

Grace watched the doorway long after Annie was carried through it. She had survived a fall, a public lie, a court hearing, and the birth she had feared would go wrong. None of it made her feel like a heroine. She felt like a woman who wanted to hold her child and could not yet stand without help.

The neonatal nurse let her visit later that morning. Annie lay beneath a blanket patterned with yellow ducks, surrounded by equipment that looked enormous beside her. Grace sat close, washed her hands as instructed, and slipped one finger into her daughter's palm. Annie closed her hand around it.

"Your grandmother Alice would have made you a terrible sweater," Grace told her. "One sleeve longer than the other. She'd have said you'd grow into it."

Helen waited by the door. When Grace came out, the attorney told her what Leah had discovered about the locker. Inside the removed folder had been adoption-related records for a girl named Charlotte Whitmore, believed to have died in a house fire thirty-one years earlier. The folder had been stored among Alice Holloway's foundation papers.

"Vivian told Daniel she never had a daughter," Grace said.

"The records suggest there was one," Helen replied. "And that Alice had reason to keep them. We don't yet know why Daniel wanted the folder."

Grace remembered a family dinner years ago, when she had remarked that Vivian must have loved having only one child. Vivian had dropped a wineglass. Daniel had said his mother hated sentimental questions, and the subject had died along with the glass.

"Do we know what happened to Charlotte?"

"Not yet. Leah has requested the original case files."

An hour later a stranger appeared at the hospital reception desk asking for Grace. Her name was Nora Ellis, and she was forty-eight, with closely cropped brown hair and a tired face. She carried a battered canvas purse and a photograph in a paper sleeve.

"I used to work with your mother," she told Grace when Helen escorted her into the visitors' room. "Someone sent me your television interview. Well, your husband's interview. Then I saw the picture of Alice that was mailed to you."

"How did you know about the picture?"

"I mailed it. I was afraid to sign my name."

Grace stared. "And the message about the recipe box?"

"That was me too. I didn't know who else I could trust."

Nora explained that she had been a teenage assistant at Holloway Community Homes when Alice took in a frightened girl called Charlie. The child had arrived after a fire at a Whitmore-owned house. Alice said Charlie needed privacy, and the foundation later helped arrange a placement with a family outside the city. Nora had not seen the girl since.

"Why send the photograph now?" Grace asked.

"Because I recognized your mother-in-law on television. She came to Oak Street back then. She stood outside Alice's office demanding that a child be brought out. Alice wouldn't let her in."

"Was Charlotte her daughter?"

"I believe so. Your mother told me only that the girl had survived something terrible and needed to be believed."

Nora removed the photograph from its sleeve. It was the same day as the clipped picture Grace had received, but this print was intact. On the left stood a little girl with dark braids, a blue cardigan, and an expression too wary for a summer afternoon. She held Alice's skirt as if she might be pulled away.

On the back, Alice had written: Grace, Charlie, and me. July 1995. Grace had been so absorbed in her ice cream that she had forgotten the other girl existed.

"Daniel stole the records," Grace said. "He knows she's alive."

"Or he knows someone might prove it," Nora said.

The visitors' room door opened. Detective Mercer entered with a younger officer and asked Nora to repeat her account formally. There were records to locate and a living person to protect if Charlotte was alive. Leah spoke gently, but Grace could see the urgency under her calm.

After Nora left, Leah told Grace that the footage from the neighboring office had finally been recovered. The video showed Vivian pushing Grace and Daniel positioning the cutters. It was incomplete, but it supported Mateo's eyewitness statement and contradicted the family's public account. Investigators had applied for arrest warrants.

Grace felt no immediate relief. She thought instead of Daniel standing in the nursery, painting a yellow bird onto the wall while music played in the kitchen. She had thought they were making a place where their daughter would always feel safe.

Her new phone buzzed. One message, from Daniel's old number: I KNOW YOU FOUND CHARLOTTE. IF YOU LOVE ANNIE, STOP ASKING QUESTIONS.

May you like

Grace handed it to Leah.

"He knows her name," she said. "Please find out where he is before he comes near my baby."

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