strive

Chapter 1 - THE BET BENEATH THE CHANDELIERS

The billionaire held up his champagne glass and offered to marry me if I could dance. By the time I understood that three hundred people were laughing at me, I had already decided to do the one thing that could get me fired.

I was going to accept his challenge.

My name is Mara Reyes. On the night my life broke open, I was twenty-seven years old, eleven dollars short of buying my father's medication, and wearing a gray housekeeping dress that had been altered twice to fit whoever worked the evening shift. A white lace apron hung over my knees. The shoes on my feet were designed for standing on marble for ten hours, not for making an entrance under chandeliers.

The Aurelia Grand Hotel had dressed its ballroom for a children's arts fundraiser. White roses overflowed from silver urns, a live orchestra played above a marble dance floor, and women wearing diamonds that could pay off our apartment danced past the employees without seeing them. I wasn't supposed to be carrying a tray. I worked in housekeeping. But a server had gone home sick, the event manager was desperate, and he promised an extra seventy-five dollars if I'd collect empty glasses between tables.

Seventy-five dollars was seventy-five dollars. Dad needed a new prescription by Thursday.

I was reaching for a champagne flute when a man beside the dance floor called out, "Hey, Cinderella."

My hand stopped in midair.

Adrian Vale stood beneath the largest chandelier, smiling as though the world had been designed to reward him for being amused. He was thirty-four, according to the magazines left open in the hotel suites, and owned the company that owned the Aurelia, six other hotels, and enough commercial real estate to make ordinary people disappear from neighborhoods without ever learning his name. His black tuxedo fitted him perfectly. Beside him stood Clara Whitmore, a blonde woman in a glittering gold gown whose nonprofit had helped organize the evening.

"Yes, sir?" I said, because employees who wanted to remain employees learned that phrase quickly.

Adrian nodded toward the orchestra. "We've been debating whether money can buy talent. My friends seem convinced everybody has a hidden gift. What's yours?"

"Removing lipstick from expensive glassware."

One of his friends snorted. Adrian looked delighted.

"A sense of humor. Excellent. Can you dance?"

I knew the correct answer: excuse myself, disappear into the service hallway, and make sure he never remembered my face. Instead, something old and sore twisted behind my ribs.

"I used to," I said.

Adrian turned toward the surrounding tables. "You hear that? Our mysterious maid used to dance." Guests began looking up. He extended one hand toward the floor with theatrical generosity. "Tell you what. Impress me with one dance and I'll send Clara home and marry you before midnight. A proper fairy-tale ending."

The laughter came in layers. His friends laughed first; strangers joined when they realized the joke had permission to spread. I felt heat crawl up my neck. A woman near the orchestra lifted her phone.

Clara didn't laugh.

"Adrian," she said sharply, "stop."

He touched her elbow. "Relax. It's a joke."

"She's working. That's what makes it cruel."

I wanted to thank her, but speaking felt dangerous. Near the service doors, Graham Pike, the hotel's general manager, caught my eye and made a slicing motion across his throat. Leave. Now. Behind the kitchen wall waited a bulletin board reminding us that guest experience came before personal concerns. My rent was due in ten days. A complaint from Adrian Vale could take away the job that paid it.

Adrian mistook my hesitation for entertainment. "Unless you were exaggerating about the dancing."

I looked at his immaculate shoes. He'd probably never counted the hours until payday or used a calculator in a pharmacy aisle to decide which prescription could wait. Anger rose, but so did a memory I hadn't invited.

A studio with cracked mirrors. My mother kneeling to retie my shoe. The warmth of her hand at the back of my neck before my first competition. Elena Reyes, who taught the children of exhausted parents to dance for almost nothing, used to tell me that the first step belonged to me. Nobody could take it until I gave it away.

She'd been dead twelve years. I hadn't performed since her funeral.

"What's your name?" Clara asked gently.

"Mara."

"Mara," she said, ignoring Adrian, "you don't owe anyone a performance."

For a second I nearly walked away. Then Graham appeared at my shoulder, smiling for the guests while whispering, "Kitchen. Immediately. Don't turn this into a situation."

I understood what the situation was. Adrian could embarrass me in a crowded ballroom and still be honored on a brass plaque. If I defended myself, I could lose my wages before the week ended. I was tired of being the only person at risk.

I carried the tray to a vacant table. Set it down. Removed my gloves and tucked them neatly beside the glasses. The room began to quiet, not because anyone respected me, but because people recognized the moment before a spectacle.

Adrian's smile thinned. "You're serious?"

"You asked a question."

"And offered a reward."

"Keep it."

Clara's eyes widened. Graham swore under his breath.

I untied my apron. The stiff white fabric slipped from my waist and settled beside the tray. I took out the pins holding my dark hair against my head. It fell across my shoulders, irritatingly uneven from the hurried cut I'd given myself in our bathroom mirror. Nothing about me transformed into a princess. I was still a tired worker in cheap shoes. But my spine remembered a posture my life had been trying to erase.

The conductor lowered his baton. An uneasy hush settled over the musicians. Adrian watched me step toward the center of the floor with the expression of a man who had pushed on a door and discovered it wasn't locked from his side.

"You can laugh if I fall," I told him. "But you'll have to wait until I finish."

Somewhere behind me, Clara whispered, "Oh, my God."

I raised my eyes to the orchestra. The violinist closest to the conductor had gone perfectly still.

"Could you give me a waltz?" I asked. "A slow one."

The conductor glanced at Adrian, then at me. For one awful second I thought he would refuse. Then he lifted his baton.

May you like

The first three notes crossed the ballroom, and a girl I thought I'd buried with my mother opened her eyes.

I stepped forward.

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