strive

Chapter 10 - The Chair Beside the Microphone

The first Sunday after the station corrected Cal's record, he arrived at my house with a toolbox and two cinnamon rolls. He fixed the loose arm on my green chair without asking whether the job made him a good son. Then we ate breakfast while Mabel complained that we'd forgotten to make coffee.

"You know how to work a machine," I told Cal. "Try the coffee maker."

"Last time I did, you said it tasted like wet cardboard."

"And did you learn anything?"

He grinned. "Never make your mother coffee."

We weren't healed. I still woke some nights reaching for the braid that wasn't there. Cal still went quiet when the subject of the flood came up. Evan's handwritten confession sat in a folder beside the station report, and I'd only read it a few times. I hadn't asked him over for dinner. I hadn't promised I would.

But we could sit at the same table now without pretending.

The station board issued its correction and began contacting the affected flood families about restitution. Evan provided banking information to the accountant; a formal repayment arrangement remained under discussion. The investigation into my assault and the unauthorized recording was continuing. Lacey had stopped contacting me directly and was communicating through counsel. Kindred removed its official trailers and disputed material and reviewed its production practices. I could not control every copy or every opinion online. I no longer had to spend my mornings trying.

On Monday, I returned to the studio. Oliver had put a second chair beside my microphone, not to announce that Cal was my new cohost but because he'd asked to learn how the equipment worked. Wren came after school, wearing headphones that slid down her nose.

"Why do you leave a pause after somebody talks?" she asked.

"Because sometimes they're thinking," I said. "And sometimes they've said something brave and need a minute to hear themselves."

She wrote it in a notebook with a purple cover.

Darlene arrived at two wearing a bright yellow scarf and carrying three of her paintings. She asked to record a new interview about her art class. This time, Oliver showed her the consent form one paragraph at a time, explained where the recording could appear, and made sure she knew she could decline. She signed after asking us to cross out permission for promotional clips.

"I don't want my lonely years selling vitamin drinks," she said.

"Then they won't," Oliver replied.

Darlene sat down opposite me and told a story about painting a blue heron so badly her instructor mistook it for a shovel. Wren laughed behind the glass. Darlene laughed too, a big, full sound we let run to the end.

When the show aired, we didn't call it a comeback. We called it another Thursday.

On Friday, a listener mailed me a ribbon the color of blue cornflowers. Her note said her grandmother had worn one like it for years and she thought I might like it. I tied it around the handle of my portable recorder. I didn't have to grow my hair back to make use of a gift.

Wren asked whether she could talk about what happened at school. Some classmates had seen clips and were asking rude questions. I offered to speak with her teacher, but I let her decide what she wanted from me.

"Can you just tell me what to say when they ask if Dad's a bad person?"

I thought a long time.

"You can say it's private. You can say he did something wrong and the grown-ups are dealing with it. You can say you don't know. You don't have to defend him or condemn him for a room full of children."

She leaned her head on my shoulder. "I wish things could be easy."

"Me too, honey."

That weekend I drove past the house where Evan was renting a room. I didn't stop. I wasn't ready. On the way home, I pulled into a park and called him.

"I'm thinking about you," I said.

He sounded tired. "I think about you every day."

"Good. Use some of that time to do the work."

"I will."

"I can't promise what happens after."

"I know."

We talked about the weather and Wren's science project for another minute. Then we said goodbye. It was ordinary, which was perhaps the kindest thing either of us could manage.

In the evening, Cal and I sorted the original tapes from the station archive. We found voices of neighbors who had moved away, teachers who had died, children who were grown now. I played a recording of my mother explaining how she braided hair with one working hand. She laughed when I dropped the comb.

"Start again if you need to, Ruthie," her younger voice said. "Just don't let somebody else decide when you're finished."

Cal reached across the table and squeezed my hand. I squeezed back. The recording ended with my mother's chair scraping away from the microphone. We let the tape continue through the silence because that was how she'd left it.

The phone rang just before nine. It was a woman named June Fowler, seventy-six, calling from a town three counties away. She'd heard Darlene's interview and my statement on the radio.

"Mrs. Bellamy," she said, "I don't want to be on the internet. I just need to ask you something."

"Go ahead."

"That company, Kindred Path. They filmed my sister in her room after she told them no. Everyone said she was confused. She wasn't."

I took out Wren's purple notebook, the one she'd left beside the telephone.

"June, is your sister safe now?"

"She's with me. But there are other people still in that building."

Cal saw my expression and quietly pulled up a chair. He didn't reach for the phone. He waited to see what I wanted.

"I can listen," I told June. "And if you'd like help finding the right people to report this to, we can work on that together. You don't have to tell your story publicly."

June drew a shaky breath.

"There's something else. I kept the original footage. I know who ordered it."

Outside, evening settled over the porch. My short hair brushed the back of my neck as I leaned toward the receiver.

"All right," I said. "Start wherever you want."

May you like

I pressed RECORD only after June gave her permission.

For the first time in a long while, I wasn't afraid of what another person's story might ask of me. I was ready to listen, and I intended to let her finish.

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