Chapter 10 - Five Looks and Seventeen Minutes

There were seventeen minutes between Abigail's scheduled arrival at the Carolina Design Exchange and the beginning of her private preview. Ryan counted every one of them.
They had driven from Asheville before dawn with the five looks in garment bags, backed-up photographs on two devices, and a box of emergency sewing supplies that Ada treated like a medical kit. The venue was a converted textile warehouse in Charlotte, with tall windows and exposed beams. Backstage, models moved between fitting stations while volunteers checked lists and stylists hunted for missing safety pins.
Abigail stood by the entrance in a plain cardigan, suddenly looking smaller than Ryan had ever seen her. "I don't belong here," she whispered.
He followed her gaze. Across the room a designer in an elaborate jacket was giving an interview beside a twelve-person team. Nearby, assistants rolled racks of identical sample garments through the crowd. Everything looked expensive, confident, and expertly rehearsed.
"You belong wherever your work belongs," Ryan said. "And your work is here."
"That's something a son is supposed to say."
"Then ask Ada."
Ada appeared carrying the sewing kit. "If you don't belong, neither does half the room. I can see loose hems from here."
Abigail laughed, and some of the tension left her shoulders.
Their private preview was attended by Sofia Reed and a New York journalist named Maya Chen, who wrote about clothing, labor, and the people whose names rarely appeared on labels. She didn't ask Abigail where she'd studied fashion. She asked who had taught her to sew.
"My grandmother," Abigail replied. "She said a seam should be strong enough to hold through a hard day."
Maya touched the olive coat. "And the leaf panels?"
Abigail explained the old sketchbook and the way she'd redesigned the jacket when a fabric order fell through. She pointed out the reinforced shoulder and a hidden pocket cut wide enough for a phone. Maya tried it on, moved her arms, and smiled. "It's beautiful when you're standing still," she said. "But it makes sense when you move. That's unusual."
Ryan watched his mother's face brighten as she began discussing construction. Within minutes she had forgotten to be nervous. She showed Maya the school-coat lining, the deep pockets in the apron-inspired dress, and the protected fragment of Clara's grandmother's fabric. Every detail had a reason. The interview ended with Maya asking to speak to the workers as well as the designer. Abigail introduced Ada and June with pride.
The trouble began during the main fitting rehearsal. A model named Lena twisted her ankle outside the venue and could no longer walk the runway safely. She apologized repeatedly, near tears. The show coordinator began searching for a replacement, but most available models had been assigned to other designers. The apron-inspired dress had been altered for Lena, and they had only a few hours before showtime.
Ryan thought immediately of Melissa. She was coming to watch with Margaret and Clara, and the dress could be adjusted to fit her. But Melissa had never modeled a runway garment, and Ryan didn't want to turn her into an emergency solution without asking.
When she arrived, he explained the situation. "No pressure," he said. "We'll find another way."
Melissa glanced at the dress, then at Abigail. "Would I be walking alone?"
"For about forty feet," Abigail said. "Then you turn around and come back."
"I have walked hospital corridors during fourteen-hour shifts," Melissa said. "I think I can manage forty feet."
They laughed, and Ada began adjusting the waist. Melissa practiced twice, awkward at first, then surprisingly steady. She refused the high heels the stylist offered and wore comfortable shoes that suited the collection better anyway. Ryan realized that the small mistake might become the most honest part of the presentation: a real customer wearing a dress made for a real body.
Half an hour before the show, Preston Vale appeared at their booth. He examined the rack without touching it and complimented the display. "Northline is proud to support regional talent," he said, as if he hadn't tried to buy theirs on terms that would have swallowed the studio whole.
"Glad the event has sponsors," Ryan answered.
Preston smiled. "Whatever happens tonight, remember that visibility doesn't equal infrastructure. You still need someone bigger."
Abigail stepped forward. "I need good workers, good customers, and a little more time. Size isn't everything."
Preston's eyes moved to her. "That may be true in a sewing room."
"It's true in any room I've ever worked in," she said.
After he left, June found Ryan behind the garment rack gripping his phone so tightly his knuckles had turned white. "You're doing it again," she said.
"Doing what?"
"Letting him decide how you feel about your own work."
He looked at the five garments. She was right. He had come all this way to earn an audience and still found himself worrying about one man who had already made his contempt clear.
As the lights dimmed, Abigail gathered the team near the back curtain. She was shaking, but her voice held. "I used to sew for the woman who needed a dress for her daughter's graduation. Or the man who wanted his jacket to last one more winter. I never thought I'd see anything I made on a runway. So whatever happens, please know this has already been more than I expected."
Ada squeezed her hand. "Good. Now let it be even more."
The first model stepped into place. Music filled the warehouse. Ryan lifted the curtain just enough to see the audience. Rows of buyers and journalists faced the long, bright runway. Preston sat near the front. Maya had her notebook open. Sofia stood by the control desk.
Then Ryan saw another face. Celeste Voss was seated at Preston's table, dressed in white, whispering to the woman beside her. She looked toward the backstage curtain and smiled in recognition.
Ryan let the curtain fall. For a moment, he was back in Bellamy House, a battered suitcase open between him and a room full of laughter.
"Ryan," Abigail called softly. "We're ready."
May you like
He turned toward his mother and lifted the curtain again. "Then let's show them."
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