strive

Chapter 2 - The Husband Who Locked the Door

I used to believe the worst thing that could happen to a person was

losing control of her own life. By the time this part of the story

began, I understood there was something worse: discovering that the

choices you thought were yours had been arranged by people who loved

you, feared for you, lied to you, or needed something from you.

That knowledge did not make me obedient. It made me curious.

Niko would later tell me curiosity was my most dangerous habit.

“Not my temper?” I asked.

“Close second.”

“Good. I’d hate to become predictable.”

His mouth would twitch whenever I said things like that, as if he were

fighting a smile he did not believe a Santoro was supposed to have.

Those tiny moments mattered because everything around us seemed designed

to turn people into roles—criminal, politician, daughter, wife, heir. I

was beginning to understand that refusing the role was sometimes the

only freedom available.

Niko shows Evelyn surveillance photographs covering classes, coffee

shops, friends, and her apartment.

The room seemed to hold its breath after that. I watched faces rather

than words, because words had become cheap in our families. Niko’s jaw

tightened whenever he was hiding fear. Arthur looked toward doors when

he was preparing a lie. Stella made jokes when she wanted to cry. I had

habits too: I crossed my arms when I felt cornered and became

unnaturally polite when I was furious.

“Say what you’re thinking,” Niko said.

“You first.”

“That isn’t how questions work.”

“It is in this marriage.”

For a second, neither of us moved. Then the tension loosened by a

fraction. We were learning to negotiate truth the way other newlyweds

negotiated closet space.

Reports even catalogue the absence of confirmed intimate partners.

I forced myself to slow down and separate evidence from emotion. Law

school had taught me that facts did not become more reliable merely

because they confirmed what I already feared. That principle was much

harder to follow when the evidence involved my parents, my husband, or a

dead person who had inconveniently stopped being dead.

“What do we actually know?” I asked.

It became my favorite question.

Not what do we suspect. Not what did somebody tell us. Not what would

make the cleanest story.

What do we know?

In a world built from secrets, that distinction repeatedly kept us

alive.

Arthur admits on the phone that he watched Evelyn but refuses to say

why, insisting she remain under Santoro protection.

The room seemed to hold its breath after that. I watched faces rather

than words, because words had become cheap in our families. Niko’s jaw

tightened whenever he was hiding fear. Arthur looked toward doors when

he was preparing a lie. Stella made jokes when she wanted to cry. I had

habits too: I crossed my arms when I felt cornered and became

unnaturally polite when I was furious.

“Say what you’re thinking,” Niko said.

“You first.”

“That isn’t how questions work.”

“It is in this marriage.”

For a second, neither of us moved. Then the tension loosened by a

fraction. We were learning to negotiate truth the way other newlyweds

negotiated closet space.

Niko reveals that an attempt was recently made on Arthur’s life and one

of the Santoro warehouses burned.

I forced myself to slow down and separate evidence from emotion. Law

school had taught me that facts did not become more reliable merely

because they confirmed what I already feared. That principle was much

harder to follow when the evidence involved my parents, my husband, or a

dead person who had inconveniently stopped being dead.

“What do we actually know?” I asked.

It became my favorite question.

Not what do we suspect. Not what did somebody tell us. Not what would

make the cleanest story.

What do we know?

In a world built from secrets, that distinction repeatedly kept us

alive.

Evelyn realizes the marriage sits inside a larger war.

The room seemed to hold its breath after that. I watched faces rather

than words, because words had become cheap in our families. Niko’s jaw

tightened whenever he was hiding fear. Arthur looked toward doors when

he was preparing a lie. Stella made jokes when she wanted to cry. I had

habits too: I crossed my arms when I felt cornered and became

unnaturally polite when I was furious.

“Say what you’re thinking,” Niko said.

“You first.”

“That isn’t how questions work.”

“It is in this marriage.”

For a second, neither of us moved. Then the tension loosened by a

fraction. We were learning to negotiate truth the way other newlyweds

negotiated closet space.

Niko apologizes for judging her by gossip and admits Arthur described

her as spoiled and expensive.

I forced myself to slow down and separate evidence from emotion. Law

school had taught me that facts did not become more reliable merely

because they confirmed what I already feared. That principle was much

harder to follow when the evidence involved my parents, my husband, or a

dead person who had inconveniently stopped being dead.

“What do we actually know?” I asked.

It became my favorite question.

Not what do we suspect. Not what did somebody tell us. Not what would

make the cleanest story.

What do we know?

In a world built from secrets, that distinction repeatedly kept us

alive.

Evelyn explains that political events created the tabloid image and law

school was her attempt to become difficult to control in a meaningful

way.

The room seemed to hold its breath after that. I watched faces rather

than words, because words had become cheap in our families. Niko’s jaw

tightened whenever he was hiding fear. Arthur looked toward doors when

he was preparing a lie. Stella made jokes when she wanted to cry. I had

habits too: I crossed my arms when I felt cornered and became

unnaturally polite when I was furious.

“Say what you’re thinking,” Niko said.

“You first.”

“That isn’t how questions work.”

“It is in this marriage.”

For a second, neither of us moved. Then the tension loosened by a

fraction. We were learning to negotiate truth the way other newlyweds

negotiated closet space.

Their first fragile understanding is interrupted when the penthouse

loses power and a sniper fires through the bedroom window.

I forced myself to slow down and separate evidence from emotion. Law

school had taught me that facts did not become more reliable merely

because they confirmed what I already feared. That principle was much

harder to follow when the evidence involved my parents, my husband, or a

dead person who had inconveniently stopped being dead.

“What do we actually know?” I asked.

It became my favorite question.

Not what do we suspect. Not what did somebody tell us. Not what would

make the cleanest story.

What do we know?

In a world built from secrets, that distinction repeatedly kept us

alive.

A message arrives on Evelyn’s phone telling her to ask Niko what

happened to his dead brother Luca.

The room seemed to hold its breath after that. I watched faces rather

than words, because words had become cheap in our families. Niko’s jaw

tightened whenever he was hiding fear. Arthur looked toward doors when

he was preparing a lie. Stella made jokes when she wanted to cry. I had

habits too: I crossed my arms when I felt cornered and became

unnaturally polite when I was furious.

“Say what you’re thinking,” Niko said.

“You first.”

“That isn’t how questions work.”

“It is in this marriage.”

For a second, neither of us moved. Then the tension loosened by a

fraction. We were learning to negotiate truth the way other newlyweds

negotiated closet space.

Niko finally says Arthur was connected to Luca’s fate.

I forced myself to slow down and separate evidence from emotion. Law

school had taught me that facts did not become more reliable merely

because they confirmed what I already feared. That principle was much

harder to follow when the evidence involved my parents, my husband, or a

dead person who had inconveniently stopped being dead.

“What do we actually know?” I asked.

It became my favorite question.

Not what do we suspect. Not what did somebody tell us. Not what would

make the cleanest story.

What do we know?

In a world built from secrets, that distinction repeatedly kept us

alive.

Later, when I tried to remember that day, I would not remember the

expensive rooms or the armed men first. I would remember the moment I

realized fear had stopped making my decisions for me.

That did not mean I was fearless. I was afraid constantly.

I was afraid Niko would become the man the newspapers said he was. I was

afraid my father’s love would always arrive disguised as control. I was

afraid every recovered truth would reveal another lie underneath it.

Most of all, I was afraid that surviving these people would require

becoming like them.

Niko seemed to read the thought on my face.

“You’re doing it again,” he said.

“What?”

“Trying to carry the entire disaster by yourself.”

“I’m very talented.”

“I’ve noticed.”

I looked at him. “You don’t get to decide for me.”

“I know.”

The answer came without hesitation.

That was why, despite everything, I stayed beside him.

Our wedding had been an order. Whatever came after it had to be a

choice.

And when the next revelation arrived, it did not knock politely. It came

May you like

like every important truth in our families—late, dangerous, and carrying

proof that the story we had just accepted was already incomplete.

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